Description
Hand Printed by Niall Fitzpatrick
Signed with the edition number on the mount in pencil.
Artists Seal
Aluminium and Glass prints come with Certificate of Authenticity.
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€145.00 – €950.00
8.Human Nature
The fall of man
Instead of accepting the natural cycle of forms disappearing into the earth, man started to register their disappearance as death.He was becoming attached to his external senses and losing his knowledge of the inner immortal world. His new perception meant he was starting to believe his senses.
The surviving self conscious energies of the first men who died came back to live again. Behind them and latching on to them were streams of instinctive energies vying for the experience that only self-conscious man could provide. The mounting pressure drove man further and further into his senses., away from his inner nature and towards the formal world.
Finally. the pressure from within drove man out of his senses. He began projecting through them into the world. Rising emotion started to appear in his eyes and gestures. Attachment to his body increased.The further out he projected, the more isolated , vulnerable and threatened he felt. In his new exposed, externalized position, all he could see in the environment was a threat of death- once a most natural event was now the most terrifying. He was consumed by his own psychosis and had to find a way out.
Tomorrow was his answer. With this invention he could break out of today and create a new world of his own, a world of progress and continuity, a distance between himself and death.
Death could now be forgotten .It would come tomorrow –never today. It became a problem no longer needed to be confronted.
This was the worlds first act of ignorance.
All of this, the whole saga of tomorrow and the forming of man’s substitute human nature was the process of evolution by involution.
Instead of accepting the natural cycle of forms disappearing into the earth, man started to register their disappearance as death. He was becoming attached to his external senses and losing his knowledge of the inner immortal world. His new perception meant he was starting to believe his senses.
The surviving self-conscious energies of the first men who died came back to live again. Behind them and latching on to them were streams od instinctive energies vying for the experience that only selfconscious man could provide. The mounting pressure drove man further and further into his senses., away from his inner nature and towards the formal world..
Finally the pressure from within drove man out of his senses. He began projecting through them into the world. Rising emotion started to appear in his eyes and gestures. Attachment to his body increased. The further out he projected, the more isolated , vulnerable and threatened he felt. In his new exposed, externalized position, all he could see in the environment was a threat of death- once a most natural event was now the most terrifying. He was consume by his own psychosis and had to find a way out.
Tomorrow was his answer. With this invention he could break out of today and create a new world of his own, a world of progress and continuity, a distance between himself and death.
Death could now be forgotten .It would come tomorrow –never today. It became a problem no longer needed to be confronted.
Hand Printed by Niall Fitzpatrick
Signed with the edition number on the mount in pencil.
Artists Seal
Aluminium and Glass prints come with Certificate of Authenticity.
Weight | 0.5 kg |
---|---|
Dimensions | 30 × 6 × 4 cm |
Material | Exhibition Canvas, Fine Art Paper, Photo Print On Aluminium Dibond, Print under Acrylic Glass, Signed Hand Print, Signed Limited Edition Print |
Size | 100x125cm, 20.3x28cm, 28x43cm, 43x55cm, 80x100cm |
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